The Art of Noise
Synthesizers are amazing musical devices because they allow you to
explore the realm of sound that exists between music and noise.
Throughout musical history composers and musicians have seemed to be on
an irreversible harmonic path towards entropy, first with the allowed
use of harmonic dissonance and now with the introduction of new timbres
into the composition process - yes, noise can now be music too.
Synthesizers are the last step on this road away from the perfection of
agreeable harmony and towards a richer world of contrasting and
sometimes dissonant tones. Indeed it is the very nature of a
synthesizer to create sound from nothingness, and from this state all
possibilities are encountered and all sounds are made equal .
This division between music and noise was first formalised in the early
20'th century by futurist Luigo Russolo. He was rather ahead of his
time and spoke of breaking out of the limited circle of sounds which
made up music at the time. Technology at the time demanded that sounds
were produced by physical instruments, and tradition demanded that
these instruments did not change very much over time. However all of
this changed when the synthesizer came into being and managed to free
sound from the physical nature of its instrumentation.
Analog synthesizers create sound wave replicas of electronic circuitry
and digital synthesizers create abstracted representations of sound
waves; but either way the final created sound is not limited by the
material nature of the instrument. Because of this a composer or sound
designer has unlimited freedom with regards to the construction of
sound, a situation that has never existed before in the history of
music.
Music is best defined as periodic intervals of vibration, and noise as
irregular and fragmentary intervals of vibration. Synthesizers are
equally capable of making both of these types of sounds and everything
in between, and because of this the very existence of musical
synthesizers breaks down this dichotomy between music and noise and
frees sound from what is really a meaningless division.






